自1976年得到村民的汇报开始，陕西考古工作者经过十多年辛勤的努力，揭示了凤翔秦景公一号大墓，位于陕西省宝鸡市凤翔县。这座很可能是秦景公的大墓，呈长方形，从上往下看，好似一座嵌在地下的倒“金字塔”。倒“金字塔”式的墓室，从底到顶有三层台阶，是中国迄今发现的最大古墓葬。

自1976年得到村民的汇报开始，陕西考古工作者经过十多年辛勤的努力，揭示了凤翔秦景公一号大墓，位于陕西省宝鸡市凤翔县。这座很可能是秦景公的大墓，呈长方形，从上往下看，好似一座嵌在地下的倒“金字塔”。倒“金字塔”式的墓室，从底到顶有三层台阶，是中国迄今发现的最大古墓葬。

In the bleak days of 1983, the Crimson Permanent Assurance, an accountancy staffed by elderly workers much like a slave ship, has been taken over by efficiency-minded corporate types. When they sack an employee, there's an uprising, and the building is unleashed from its moorings to sail across the (dry) ocean and take on the financial centers of the world, starting with an all-out attack on the large skyscraper housing The Very Big Corporation of America, complete with filing-cabinet cannons, ceiling-fan broadswords, and paper-spindle short-swords.

In the bleak days of 1983, the Crimson Permanent Assurance, an accountancy staffed by elderly workers much like a slave ship, has been taken over by efficiency-minded corporate types. When they sack an employee, there's an uprising, and the building is unleashed from its moorings to sail across the (dry) ocean and take on the financial centers of the world, starting with an all-out attack on the large skyscraper housing The Very Big Corporation of America, complete with filing-cabinet cannons, ceiling-fan broadswords, and paper-spindle short-swords.

A sort of peewee, home-movie CONTEMPT, GRANDEUR ET DECADENCE is Godard's look at what happens during the making of a cheapo TV movie--i.e., he took on an assignment to make a cheapo TV movie, and in typical fashion gave the process the skewer. The emphasis here is on the real faces and real voices of real people--actors seen in a poignant juxtaposition of their headshots and their real, peeved, fragile selves. One of the most energetic, funniest and oddly touching of recent Godards, this is extraordinarily hard to find, and worth the hunt.

A sort of peewee, home-movie CONTEMPT, GRANDEUR ET DECADENCE is Godard's look at what happens during the making of a cheapo TV movie--i.e., he took on an assignment to make a cheapo TV movie, and in typical fashion gave the process the skewer. The emphasis here is on the real faces and real voices of real people--actors seen in a poignant juxtaposition of their headshots and their real, peeved, fragile selves. One of the most energetic, funniest and oddly touching of recent Godards, this is extraordinarily hard to find, and worth the hunt.

基于Sarah Vaughan所著同名畅销小说，聚焦英国特权精英的丑闻和被卷入其中的女性。原著讲述一名雄心勃勃的威斯敏斯特政客在被控强奸后婚姻破裂的故事，妻子相信丈夫是无辜的，而控方律师同样坚信他是有罪的。 　　弗兰德饰演詹姆斯·怀特豪斯，是一位雄心勃勃，富有魅力的初级部长，一直以来分享着妻子的好运。米勒饰演他的妻子苏菲，牛津大学毕业，育有两个孩子，看似完美的生活即将被引爆。道克瑞饰演主攻性犯罪的刑事律师＆王室法律顾问凯特·伍德克罗夫特，她在自己的领域迅速崛起，刚刚接手了一个百年难遇的案子。

基于Sarah Vaughan所著同名畅销小说，聚焦英国特权精英的丑闻和被卷入其中的女性。原著讲述一名雄心勃勃的威斯敏斯特政客在被控强奸后婚姻破裂的故事，妻子相信丈夫是无辜的，而控方律师同样坚信他是有罪的。 　　弗兰德饰演詹姆斯·怀特豪斯，是一位雄心勃勃，富有魅力的初级部长，一直以来分享着妻子的好运。米勒饰演他的妻子苏菲，牛津大学毕业，育有两个孩子，看似完美的生活即将被引爆。道克瑞饰演主攻性犯罪的刑事律师＆王室法律顾问凯特·伍德克罗夫特，她在自己的领域迅速崛起，刚刚接手了一个百年难遇的案子。

影片追溯了一种炽烈之声的生命轨迹，以及它所召唤出的空间——一个准军事化的青年营，那是中东欧地区不断蔓延的众多营地之一——还有那个被这声音烙印得最深的神秘人物：祖尔菲卡·维里蒂奇（Zulfikar Veritić）。 　　维里蒂奇家族的塞法迪（Sephardim）犹太先祖，曾在苏丹巴耶塞特二世（Sultan Bayezid II）的庇护下迁入巴尔干半岛。然而，几个世纪后，他们在20世纪40年代的法西斯政权下再度遭受迫害。而在那场浩劫中幸存的部分人，后来却又在波斯尼亚战争中，参与了对维里蒂奇父系一族（波斯尼亚穆斯林）的驱逐。 　　这部混合体裁的作品简要记述了这种声音的发展历程，并介绍了推动其崛起与传播的关键人物。

Mika arrives in Poland to pay a hospital visit to her father, who is suffering from severe brain injury and memory loss. It's the first time they have met in many years, yet her father thinks they still live together and she's a teenager. For a brief time Mika becomes her father's companion in his befuddlement gently guiding him through the labyrinth of his fading mind. And as she does so, she sets off on a journey through her own life. Merging digital, 35 mm, VHS, infrared and archival footage, the sense of time and space start breaking up: the present blends with the long gone past and places reveal their far-off history and memories. In the meantime, the father's condition worsens. And thus life and its end also begin to blur.